As this show
was scheduled just a few days after Neville's stint at Paris Menswear
collections, part of my team, lead once again by my top man, Stephen Low,
stayed on in the City of Lights, working and preparing for yet another Haute
Couture hair-style challenge.
I've actually
chosen the word 'challenge' very carefully here as working on the couture shows
at world's most prestigious fashion event takes another set of skills and
completely different mindset. When you are working for a couturier who is
designing a 'one-off' creation, the hair-style and its execution is also a
bespoke exercise. It requires a great belief on the part of a designer when it
comes to choosing the right stylist and also the hair-team capable of following
his vision.
It was also the
greatest compliment for my team when we became an irreplaceable and very much integral
part of the show’s creative process, in addition to working on some stunning,
top-fashion editorial. For Julien Fournier's SS15 Haute Couture collection this
is exactly what happened as my team was also part of the Madame Figaro feature
as well as the 'behind-the-scenes' film a few weeks before the collection was
finally unveiled in Paris.
The work with this
fiercely talented French couturier also marks our third collaboration that
famously started in Singapore in 2013 and continues to grow in every
fashion-way-possible . Stay tuned for more updates on the subject as we've
dreamt up a few delightful surprises that, in my opinion, take our partnership
to another level.
As for the
Paris show Stephen Low came up with the hair-style that was very much a couture
creation for the couture show. Every single piece of hair was sourced, styled
and fitted on 20+ models individually and for most of the models it happened
when the call time was originally scheduled and that means four hours before
the show. Still, there were a few who were double-booked with Stephane
Rolland's team and came to be fitted with our crew less than an hour before the
catwalk. These are the moments when you need to have a mature and truly capable
team of hair-stylists who not only manage to perform the entire process ten
times quicker but also succeed in calming down any potential model-designer-loyalty
drama before it even starts.
The hair-look
was half wild /half-structured and in-tune with Fournie's Egyptian references
but with a modern twist. There was an inherent history but all the girls looked
entirely modern and fresh which seems to be a prerequisite with haute couture
collections these days. And that also applies to hair, which my team for this
show has accomplished with a seamless perfection.
Until next
time,
Elena
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